Watch the charisma radiate from Nomi Ruiz, future pop icon.
Curated by Whitney Weiss
Total Runtime: 0:40:46
Experiencing actual star power in a pre-celebrity is a rare experience. If you've the chance to see Jessica 6 before Nomi Ruiz becomes a household name, you'll be taken by the fact that girl gets onstage and absolutely owns the audience, charms them instantly, works them the whole show, and flings them into the street a sweaty, giddy mess. She's a DJ, model, frontwoman, and singer, but mostly she is pure presence. Seriously. It's like seeing Prince and Appolonia at the same time.
I had the honor of catching her performance at a Fashion Week party for Theirry Mugler and seeing a sold-out Jessica 6 show at the Mercury Lounge in the same week. In both settings, she had people on their feet dancing in seconds, with straight boys screaming like girls, all types of girls checking her out, and gay boys fawning over her like she was the proper pick to carry the Madonna torch. The problem with talking Nomi Ruiz up so much is that you might not be able to catch all of her essence in these YouTube videos. Hopefully, though, some will shine through and you'll get the picture.
Playlist:
01. Jessica 6 - Fun Girl (live in Warsaw)
02. Hercules and Love Affair - Blind (live)
03. Jessica 6 - Prisonor of Love (live in Athens)
04. Jessica 6 - Make-Up (Vanity 6 cover, live in New York)
05. "Be My Lover" interlude
06. Hercules and Love Affair - You Belong (live in New York)
07. Jessica 6 - Good to Go (live in Cologne)
08. Jessica 6 - Time Will (live in New York)
09. Nomi Ruiz w/ Eli Escobar - Desire
10. Jessica 6 - White Horse (live at a Greek awards show)
Athlete/model/amputee Aimee Mullins chats with Harold Koda about Alexander McQueen's use of prothesis and more. Academic AND engaging!
Curated by Whitney Weiss
Total Runtime: 0:57:42
"Speaking Sunday June 19 at 3pm at the Metropolitan Museum of Art is model and athlete Aimee Mullins in conversation with Harold Koda, curator in charge at the Costume Institute. Mullins, who is a double-amputee, has collaborated with a range of artists and designers, including Alexander McQueen as well as Nick Knight and Matthew Barney—who cast her in Cremaster 3 wearing fantastical prosthesis perhaps most notably a pair of non-functional “glass” prosthesis. In 1998, she walked the runway for Givenchy (then designed by McQueen) wearing specially designed hand-carved boots/prosthesis, which are included in the Met exhibition “Savage Beauty.” Much has been written about her collaborations with McQueen, Knight and Barney—and while many, including Mullins herself, interpret as a mean towards greater visibility, others see it as spectacularizing “the disabled body.” (These debates are evident in academic writings on the topic, which includes Vivian Sobchack’s and Marquard Smith’s articles in “The Prosthetic Impulse and Caroline Evans’s Fashion at the Edge.)
What has perhaps remained unaddressed and what I think is brought to the fore specifically by her collaboration with McQueen is the way it blurs the lines between medical prosthesis and fashion. This blurring is evident if we think of the history of Western undergarments, such as the corsets (some of which were orthopedic in kind), bustles, or cage crinolines, or more simply extreme high-heels or eyeglasses."
-From Fashion Projects