Chris & Cosey, now performing as Carter Tutti, are a band formed in 1981, consisting of partners Chris Carter and Cosey Fanni Tutti, both previously members of industrial music pioneers Throbbing Gristle.
When Throbbing Gristle broke up in 1981, Carter and Tutti signed with Rough Trade Records and began recording as Chris & Cosey. They recorded four albums for the label using electronics, sampling, Cosey's vocals and cornet playing. In 1983, they formed their own independent record label Creative Technology Institute (aka CTI) to release more experimental works and collaborations. The first CTI projects, Elemental 7 andEuropean Rendezvous, were released through Cabaret Voltaire's DoubleVision label.
In the late 1980s and early 1990s, the duo worked with a number of independent labels such as Nettwerk (Canada), Play It Again Sam (Belgium),Staalplaat (Netherlands), and Wax Trax! (USA), and World Serpent Distribution (UK). In 1992, for artistic and health reasons, the duo stopped touring and concentrated on studio work. They returned to performing live in 1998, documented on the Union album.
They have collaborated with such artists as Monte Cazazza, Coil, Current 93, John Duncan, Erasure, Eurythmics, Boyd Rice, and Robert Wyatt. Their 1988 Core album is a collection of such collaborations.
Recently, Carter and Tutti have released two ongoing CD series of instrumental music: The Library Of Sound (L.O.S.) and Electronic Ambient Remixes(E.A.R.), currently with four volumes each. The E.A.R. series are remixes of material released solo by Carter or Tutti.
The BBC Radiophonic Workshop, one of the sound effects units of the BBC, was created in 1958 to produce effects and new music for radio, and was originally closed in March 1998, although much of its traditional work had already been outsourced by 1995. The Workshop was revived in 2012, however none of the team involved in the original incarnation will be involved. It was based in the BBC's Maida Vale Studios in Delaware Road, London, growing outwards from the then-legendary Room 13, but from 2012 it is based entirely online.
The Workshop was set up to satisfy the growing demand in the late 1950s for "radiophonic" sounds from a group of producers and studio managers at the BBC, including Desmond Briscoe and Daphne Oram. For some time there had been much interest in producing innovative music and sounds to go with the pioneering programming of the era, in particular the dramatic output of the BBC Third Programme. Often the sounds required for the atmosphere that programme makers wished to create were unavailable or non-existent through traditional sources and so some, such as the musically trained Oram, would look to new techniques to produce effects and music for their pieces. Much of this interest drew them tomusique concrète and tape manipulation techniques, since using these methods could allow them to create soundscapes suitable for the growing range of unconventional programming. When the BBC noticed the rising popularity of this method they established a Radiophonic Effects Committee, setting up the Workshop in rooms 13 & 14 of the BBC's Maida Vale studios with a budget of £2,000. The Workshop regularly released technical journals of their findings - leading to some of their techniques being borrowed by sixties producers and engineers such as Eddie Kramer.
Federal Service Agent Justin Vanier has been assigned to infiltrate the mysterious Virtual Arts Academy in search of Eric, a fellow agent. In this high-tech facility, the maniacal leader Warbeck is training assassins to become even more efficient killing machines using virtual reality. Penetrating the organization as a new recruit, Justin finds Eric, and together with the idealistic Vicki must bring down Warbeck before he succeeds with his deadly plans.
Network Awesome - Sat, Jun 17 "The single biggest existential threat that's out there, I think, is cyber." -Michael Mullen
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"The single biggest existential threat that's out there, I think, is cyber." -Michael Mullen