Cartoon story is the author's interpretation of the classic story of the monster kidnaps beautiful maiden, made in the sci-fi style.
Set amidst the rocky desert futuristic city terrorizes a terrible monster, capable to raze it to the ground - Serpent (giantWyvern ); to appease the monster and save the city from destruction, each year it is given to the most beautiful girl  .Appearance of monsters and sacrifices are televised, followed closely watching the town's population  .
Once the choice fell on Cora, bride Zora  : a pair notify give goodbye indefinitely, and at some time in their home broken into soldiers and kidnap girl, then takes her out of the city and is chained to a rock. There she finds and swallows and the Serpent. Desperate Zor comes to the place of sacrifice and discovers his girlfriend near the track monster grim armored suitthat looks reminiscent of the Gothic armor . Wearing armor, completely hiding his appearance, character goes to a foot journey in the footsteps of the beast, using built-in technical devices and weapons suit overcoming all dangers path  .
Finding the Serpent, the hero discovers that he was - living machine, walker , and with the help of technical devices armor is taken by mouth, without getting into the field of view of the monster. Probluzhdav on transitions and compartments machine Zor discovers in her womb a huge room that simulates a harmonious natural landscape, and meets the host machine was the same young men  . Zor fights with monsters host using lightsabers . At this time appears in the hall frightened bark, unknown young man lingers because of her appearance and Zor kills him. The girl rushed to the vanquished, convinced of his death, raises a sword and pierces the ground his chest. Zor, closing his eyes lost resets armor and wanders into the cockpit of the serpent, which activates it. The machine comes to town; found that during the wandering hero One more year, and the monster prepared a new victim - and he became the new owner of Zor machines  .
In the cartoon names "Zor" and "bark" is not sound, but given in the annotations to it. Information about the frequency of occurrence of the serpent also has only annotations
Pierre Henry (born 9 December 1927) is a French composer, considered a pioneer of the musique concrète genre of electronic music.
Pierre Henry was born in Paris, France, and began experimenting at the age of 15 with sounds produced by various objects. He became fascinated with the integration of noise into music. He studied with Nadia Boulanger, Olivier Messiaen, and Félix Passerone at the Paris Conservatoire from 1938 to 1948 (Dhomont 2001).
Between 1949 and 1958, Henry worked at the Club d'Essai studio at RTF, which had been founded by Pierre Schaeffer in 1943 (Dhomont 2001). During this period, he wrote the 1950 piece Symphonie pour un homme seul, in cooperation with Schaeffer; he also composed the first musique concrète to appear in a commercial film, the 1952 short filmAstrologie ou le miroir de la vie. Henry has scored numerous additional films and ballets.
Two years after leaving the RTF, he founded with Jean Baronnet the first private electronic studio in France, the Apsone-Cabasse Studio (Dhomont 2001).
Among Henry's works is the 1967 ballet Messe pour le temps présent (Dhomont 2001), a collaboration with choreographer Maurice Béjart that debuted in Avignon (Rubin 2001,[page needed]). In 1970 Henry collaborated with British rock band Spooky Tooth on the album Ceremony (Rubin 2001, 308).
Composer Christopher Tyng was heavily inspired by Henry's "Psyché Rock" when writing the theme to the popular animated cartoon show Futurama. The theme is so reminiscent of the Henry's song, it is considered a variation of the original (Cohen 2001).
A young man, armed with a magical bow and arrows, embarks on a mystical journey through a mystical land to rid it of all evil and joins forces with an outlaw to take down an evil witch bent on claiming the magic bow for evil.
Conquest was part of an early 1980s cycle of sword and sandal films inspired by the success of Conan the Barbarian. This features many of the trademarks of that genre; muscled warriors, masked villains and a nameless, primeval setting. It is, however, a lot rougher than most of the other films of the genre, due to Lucio Fulci's trademark gore and nudity.
A notable feature of the film is the cinematography by Alejandro Ulloa, which uses filters, soft focus and fog in an attempt to give the film a dreamlike atmosphere. The look of the film has received mixed responses from critics. A young twenty-year-old Sabrina Siani appeared nude in this film, shocking the 1983 viewers.