Quintetto is an installation based on the study of casual movement of objects or living creatures used as input for the production of sounds. The basic concept is to reveal what we call "invisible concerts" of everyday life. The vertical movements of the 5 fishes in the aquarius is captured by a videocamera, that translates (through a computer software) their movements in digital sound signals.
We'll have 5 different musical instruments creating a totally unexpected live concert.
Orchestra da camera:
Orchestra Da Camera is a musical installation in wich the 40 elements of the chamber are mais running on their wheels.
Each wheel its connected to a carillon and when it turns the carillon starts playing its musical note.
The great number of carillons and the random actions of the living creatures makes unrecognizable the melodies (lullabies by Brahms, Schubert and Mozart ) creating an unexpected musical carpet determined by the mice.
Natura Morta” is a musical concert where the only instruments used are real fruits and the sound we’ll hear is exclusively the electric energy contained within them.
The elettric power of the humans getting mixed with the energy of the fruits makes the sound audible, is the fisical contact between human and nature that generate the music.
Each fruit has acid in it that produces electrical tension, using a special technique we can boost these frequencies making the inaudible audible,
the sound of the vital energy of nature.
Orienta; è qui ora, che decido di fermarmi
Technology and nature. Randomness and control.
The revelation of what is insignificant as a poetic and marvelous moment. A reflection upon the life track, invisible paths that tell the story of a living being’s passage on earth. The passage of 25 snails makes in real time an endless light painting, made exclusively by the walking of the small animals.
At the end of each day we'll have a totally different light-painting.
In the performance “Allegoria” the man’s body becomes the sound object generating music.”Allegoria” is presented as a classical music concert performed by a string quartet that plays a song by Johann Sebastian Bach.
The concert begins.
In the midst of the representation interference are revealed,
unexpected sounds and noises which initially we are unable to distinguish the source.
Slowly, these alternative sounds are mixed with the music and the audience gradually begins to sense their nature origin.
Revealing gradually are the imperceptible sounds that the body of the musicians / performers inevitably generates during the concert, those sounds generally regarded as noise, as the creaking of the chair that supports the performers, the cellist arm rubbing while playing,
or the sound generated by the turning pages of the scores, up to the breathing and heartbeats of the musicians during the performance.
Amalgamating with the sounds of strings, the musical composition evolves ending with the complete revelation of the music of the bodies.