Led Zeppelin - The Song Remains The Same
NA goes to the TEENITUS FESTIVAL!
NA goes to the wonderful Teenitus Festival in Berlin at Festsaal Kreuzberg!
The Song Remains the Same is a concert film by the English rock band Led Zeppelin. The recording of the film took place during three nights of concerts at Madison Square Garden in New York City, during the band's 1973 concert tour of the United States. The film premiered on 20 October 1976, at Cinema I in New York and at Warner West End Cinema in London two weeks later. It was accompanied by a soundtrack album of the same name. The DVD of the film was released on 31 December 1999.
Promotional materials stated that the film was "the band's special way of giving their millions of friends what they had been clamouring for —a personal and private tour of Led Zeppelin. For the first time the world has a front row seat on Led Zeppelin."
Since late 1969, Led Zeppelin had been planning on filming one of their live performances for a projected movie documentary of the band. The group's manager, Peter Grant, believed that they would be better served by the big screen than by television, because he regarded the sound quality of the latter as unsatisfactory. The first attempt was the filming (by Peter Whitehead and Stanley Dorfman) of Led Zeppelin's Royal Albert Hall performance on 9 January 1970, but the lighting was judged to be mediocre, and the film was shelved (this footage was later remastered and featured on the 2003 release Led Zeppelin DVD).
On the morning of 20 July 1973, during the band's concert tour of the United States, Peter Grant made a contact with Joe Massot, who had previously directed Wonderwall. Massot was already known to Grant as he and his wife had moved into a house in Berkshire in 1970, where they made friends with their neighbours, Led Zeppelin guitarist Jimmy Page and his girlfriend Charlotte Martin. Grant had previously turned down offers by Massot to make a film of the band, but with the huge success of the band's current tour, Grant changed his mind and offered him the job of director. As Grant recalled:
It all started in the Sheraton Hotel, Boston. We'd talked about a film for years and Jimmy had known Joe Massot was interested - so we called them and over they came. It was all very quickly arranged.
Massot hurriedly assembled a crew in time for Led Zeppelin's last leg of the tour starting on 23 July 1973, in Baltimore. He subsequently filmed the group's three concert performances at Madison Square Garden on the nights of 27, 28, and 29 July 1973. The film was entirely financed by the band and shot on 35mm with a 24-track quadraphonic sound recording. The live footage in the US alone cost $85,000.
The plans to film the shows at Madison Square Garden were threatened when the local trades union tried to block the British film crew from working. The band's attorneys negotiated with the union and the crew was eventually allowed to film the concerts.
The footage of the band arriving at the airport in their private jet airliner, The Starship, and travelling in the motor cavalcade to the concert was filmed in Pittsburgh, before their show at Three Rivers Stadium on 24 July 1973.
For their three New York performances, the band members wore exactly the same clothes to facilitate seamless editing of the film, except for John Paul Jones and Jimmy Page who wore different sets of attire on some of the nights, which created continuity problems. Page is seen wearing a different dragon suit in "Rock and Roll" and the "Celebration Day" remaster. In an interview from 1997 Jones said that the reason he didn't wear the same stage clothes was that he asked the crew if they would be filming on those nights and was told no. "I'd think 'not to worry, I'll save the shirt I wore the previous night for the next filming'. Then what would happen is that I'd get onstage and see the cameras ready to roll."
As Led Zeppelin's popularity soared throughout the 1970s, Peter Grant became increasingly notorious for being brutally protective of his band and their finances. The Song Remains the Same captures one such exchange between him and a concert promoter. In the scene, Grant uses the words 'fuck' and 'cunt' eighteen times combined. When Warner Bros. approved the film they did so on the proviso that these words be 'bleeped' out. Clifton took the optical print and bleeped the words, meaning the words were inaudible and the film was given an appropriate rating. However, on every other print the words were retained and were fully audible.
In the scene where Peter Grant is driven to the police station to be questioned about the theft from the safe deposit box at the Drake Hotel, he has his arm outside the police car. According to an interview conducted in 1989, he explained the reason he wasn't handcuffed was that the policeman driving the car used to be a drummer in a semi-professional band which had supported The Yardbirds on one of its US college tours in the late-1960s. Grant had at the time been manager of The Yardbirds. The money stolen from the safe deposit box at the Drake Hotel was never recovered and no one has ever been charged.
The scenes of police chasing a half-naked intruder and of Grant berating the promoter for receiving kickbacks were both shot at the Baltimore Civic Center on 23 July 1973. Grant purportedly recommended the "Dazed and Confused" sequence wherein the camera zooms into Page's eyes and cuts to the scene.
Some unused backstage shots filmed at Baltimore and at Pittsburgh later found their way into the promotional video for "Travelling Riverside Blues", released in 1990.
Unhappy with the progress of the film, Grant had Massot removed from the project and Australian director Peter Clifton was hired in his place in early 1974. Massot was offered a few thousand pounds in compensation. Peter Grant later sent someone to Massot's house to collect the film. However, Massot had hidden the film elsewhere and so instead an expensive editing machine owned by Massot was taken as collateral. Massot served a writ, leading to a period of stalemate which was finally broken when Grant and Led Zeppelin's lawyer Steve Weiss agreed to pay Massot the money he was owed, after which he delivered the film to the band. Massot was not invited to attend the premiere of the film at New York but he attended anyway, buying a ticket from a scalper outside the theatre.
Clifton, in recognising that there were crucial holes in the concert footage, suggested that the entire show be recreated at Shepperton Studios in August 1974, on a mock-up of the Madison Square Garden stage. Close-ups and distance footage of the band members could then be slipped into the live sequences, which made up the bulk of the concert footage seen in the film. When it was agreed that the band would meet at Shepperton Studios for filming, Jones had recently had his hair cut short, so he had to wear a wig. Robert Plant's teeth had also been fixed between the 1973 and 1974 filmings.
In the May 2008 issue of Uncut Magazine, Page recalled the events surrounding the shooting of additional footage at Shepperton Studios:
... I'm sort of miming at Shepperton to what I'd played at Madison Square Garden, but of course, although I've got a rough approximation of what I was playing from night to night, it's not exact. So the film that came out in the '70s is a bit warts-and-all.
For both the film and accompanying soundtrack album, the songs were heavily edited, and until both the film and album were re-released in 2007, in some cases versions of song appearing in the film were different from the one heard on the album. A comprehensive study of how the audio sources for each song were edited is available at The Garden Tapes. Songs performed by the group at the three Madison Square Garden concerts but not included in the original film include "Celebration Day", "The Ocean", "Misty Mountain Hop", "Over the Hills and Far Away" and "Thank You". Some of these songs were included on the soundtrack album of the film and, later, on the Led Zeppelin DVD.
The film was finally completed by early 1976, 18 months behind schedule and over-budget. Peter Grant later quipped "It was the most expensive home movie ever made". It grossed $200,000 in its first week at the box office.
Following the film's completion, the band experienced a major falling out with Peter Clifton. Suspecting that he had 'stolen' negatives of the film, Peter Grant ordered that his house be searched. They did find some footage, but this turned out to be a collection of the best 'home movie' footage which Clifton had intended to give to the band members as a gift. Clifton was also annoyed at the decision to remove from the film's credits the names of all the people who had worked on editing, make up and effects. Unlike Massot, however, Clifton was invited to both the New York and London premieres of the film.
With the intention of giving an insight into the individual personalities in the band, several out-of-concert 'fantasy sequences' were shot by Massot for each of the band members, as well as for Peter Grant and tour manager Richard Cole. The sequences are as follows:
For its New York premiere, Cinema I was equipped with a quadrophonic sound system hired from Showco in Dallas. For the West Coast premieres, no such audio boosting was employed. These premieres, along with the London premiere, were attended by the members of the band.
The film performed well at the box office, grossing an estimated $10 million by 1977. Despite this, the film was reviewed negatively by critics for its perceived amateurish production and self-indulgent content, with the fantasy sequences in particular coming in for some of the harshest criticism. The film was particularly unsuccessful in the UK, where the band had not performed live for over two years as a result of being on tax exile. The band were thus unable to promote themselves at home, leaving them out of the public spotlight.
However, amongst fans the film has retained its popularity. Until the release of the Led Zeppelin DVD in 2003, The Song Remains the Same was the only official live visual document that followers of the band were able to access. It became a cult favourite at late-night movie houses, and its subsequent release on video and then DVD has ensured a growing base of fans.
Many of these fans, and some members of the band itself, regard the performances filmed at Madison Square Garden as merely average for the time, coming as they did at the end of a long and exhausting tour, but nonetheless representative of the generally high standard of the band's live performances during this era. In an interview he gave with New Musical Express in November 1976, Page stated:
The Song Remains The Same is not a great film, but there's no point in making excuses. It's just a reasonably honest statement of where we were at that particular time. It's very difficult for me to watch it now, but I'd like to see it in a year's time just to see how it stands up.
Page made good on his promise. When reviewing material for the Led Zeppelin DVD in 2003, he decided to include footage from this same series of concerts.
However, other members of the band were less charitable, with Jones later admitting that the film was "a massive compromise" and Plant denouncing it as "a load of bollocks."
For all of its technical faults, many today view the film as an interesting historical document that captured the band at a particular point in time when its popularity was about to peak, and, on a more general level, as an accurate representation of the excesses of the music and show-business industries in the 1970s. In a review published in Mojo magazine following the film's 2007 reissue, James McNair gave the film four out of five stars and wrote:
The good news is that Jimmy Page and fellow production wunderkind Kevin Shirley have been meticulous as regards quality control. The three-night, July 1973 stint at Madison square garden that fuelled the film's original soundtrack has been plundered afresh ... In truth, 2003's DVD package houses better live performances, but if you want to catch Zeppelin in all their preposterous, 'because we can' glory, The Song Remains ... is the one.
NA goes to the TEENITUS FESTIVAL!
NA goes to the wonderful Teenitus Festival in Berlin at Festsaal Kreuzberg!