Across 110th Street is a 1972 American crime drama film starring Anthony Quinn, Yaphet Kotto, and Anthony Franciosa, and directed by Barry Shear. Commonly associated with the blaxploitation genre at the time, it has received considerable critical praise from writer Greil Marcus and others for surpassing the limitations of that genre.
This film is set in Harlem, of which 110th Street is an informal boundary line. By-the-book African-American Lieutenant William Pope (Kotto) has to work with crude, semi racist but streetwise Italian-American Captain Frank Mattelli (Quinn) in the NYPD's 27th precinct. They are looking for three black men who slaughtered seven men—three black gangsters and two Italian gangsters, as well as two patrol officers—in the robbery of $300,000 from a Mafia-owned Harlem policy bank. Mafia lieutenant Nick D'Salvio (Franciosa) and his two henchmen are also after the hoods. In one of many violent scenes, D'Salvio finds getaway driver Henry J. Jackson (Antonio Fargas) and brutalizes him in a Harlem whorehouse.
The movie was filmed on location in Harlem, New York. The film is also notable as being the first feature film to use a self-blimped camera (the Arriflex 35BL) for sync sound; the much-reduced size of the camera allowed the production to not only use more hand-held shots and smaller locations than normal, but also record usable sound at the same time - an endeavor not previously possible under those circumstances.
The film earned an estimated $3.4 million in North American rentals in 1973.
|Across 110th Street Soundtrack|
|Soundtrack album by Bobby Womack and J.J. Johnson|
|Released||December 16, 1972|
|Bobby Womack and J.J. Johnson chronology|
The critically praised title song, written by Bobby Womack and J.J. Johnson, was a No. 19 hit on the Billboard Hot Black Singles chart in 1973, and was later featured in Quentin Tarantino's 1997 blaxploitation homage Jackie Brown. It is also heard in Ridley Scott's 2007 film American Gangster, and as a background song for the video game True Crime: New York City. All songs were written and performed by Bobby Womack; the score was composed and conducted by J.J. Johnson